Written by Mihalis A.
(2012)
I found the current exhibition Transition to Christianity: Art of Late
Antiquity, 3rd -7th Century
A.D. at the Onassis Cultural Center in Manhattan to be quite interesting, as
the art was magnificent. It was a unique opportunity to see the advanced
techniques used by artists who lived so many years ago. The detail in the
golden medallion was so minute in size, yet so precise and elegant. The
realistic deep cuts in the beard and hair of the bust of a man gave such a
feeling of life. The idea of two Christs in a plate with an image depicting the
Last Supper is intensely thought provoking. Overall, the featured artifacts are
truly remarkable.
What I liked most in the exhibition however, was not the artifacts themselves, but the ideas they symbolized and the
hidden meanings that spoke more about ancient society. Our tour guide, an
art historian from Columbia University, was so gracious enough as to explain
the artifacts and their significance. Through his expertise, I was able to
understand how Christianity and paganism coexisted as Christianity rose and became
dominant. To think that pagan statuettes of gods such as Roma and Dionysius
were found in a Corinthian house during this time is peculiar for the time
period and very interesting. In addition, artifacts found near the Acropolis of
a jar with a knife covered in pig remains and then sealed for preservation are
an exciting find. This reveals how pagan sacrifice was still occurring while it
was illegal and was most likely done at this specific place for a reason. It
emits an air of secrecy, dissent and a strong urge to keep past beliefs alive.
This
exhibit not only showed me art in transition, but also how people reacted to this
change as well. Some embraced it completely, forgetting their old ways. Others
incorporated it into their lifestyles while holding onto ideas with which they
had always identified. Some, however, fought against Christian influence and
clung onto those ideas which they held dear and to themselves.
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